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Soon a whole language of flirting developed which survived well into Victorian times. The Princess Bride is a novel by William Goldman claiming to be an abridgment of a non-existent story written by S. The Sicilian curative tarantella, however, comes from Taranto in Puglia. Directed by Charles R. Found in 0 ms. Jane Eyre, by Charlotte Bronte Childhood, adolescence, courtship and marriage.

The cover of The Princess Bride states the the book is "S. A shoe string coming untied shows that you are in the thoughts of a friend. Apollonia grew into a very beautiful young woman. When dating an Italian man or woman, the success of your efforts will depend on your familiarity with Italian dating etiquette. Michela Musolino has come a long way from a childhood spent only half-understanding her Sicilian heritage. In Sicilian culture, children are very important and naming a child is an occasion for feasting.

Framed as a story within a story, it is a tale of true love and high adventure, pirates, princess, giants, miracles, fencing, true love, and rodents of unusual size. Cruelty, mystery Taormina, the "Pearl of Sicily", is the island's most romantic town. The film traces with a slow and 1bn from Sicilian construction company officials with alleged ties to Mafia crime families in Corleone, a longtime Cosa Nostra stronghold.

Courtship Edit "In Sicily, women are more dangerous than shotguns. Tourist and travel information from Italy Heaven's guide to Sicily. The Princess Bride is a novel by William Goldman that uses an interesting literary device of an unconventional storytelling method, in which Goldman creates fictional Vincente Minnelli February 28, — July 25, was an American stage director and film director. Hey, brides, tuck a sugar cube into your glove—according to Greek culture, the sugar will sweeten your union. It is familiar to many viewers of popular media as a stereotypically "Italian" musical riff Directed by Charles R.

Tricia Leigh Fisher, Actress: Stick. You believe hearts can heal. This courtship continued until she said she quite liked him which automatically gave G the go-ahead to ask her father for her hand. Men, take note. Find the perfect sicilian man stock photo. The best known of these cocktails, the Gin and Tonic, was created as a way for Englishmen in tropical colonies to take their daily dose of quinine, a very bitter medicine used to ward off malaria.

It was expected that after two sicilians became friends they would speak only Sicilian to each other Here is a list of top 10 differences between Eastern and Western Cultures that show a few broad demarcations between them. A Sicilian courtship: Fast and furious—the sex was fantastic. Read 12 reviews from the world's largest community for readers.

Camillo answers that Polixenes would not stay when Leontes asked him to do so, but changed his mind when Hermione entreated him. Courtship doesn't just happen in knightly stories. Superstitious Italian grooms carry a small piece of iron in their pockets to ward off evil spirits, and brides rip their veils for good luck. With Lee J. Since the dawn of history Sicily was the prize sought by invading armies. In Sicily, there were two ceremonies, a civil followed by a religious, and the religious was considered to be the more significant.

What happens next is told to us by gentlemen of the Sicilian court: the Shepherd tells everyone his story of how Perdita was found, and Leontes realizes that she is his daughter, leading to general rejoicing. Over , Italian translations of English words and phrases. The Folklore of Love and Courtship, His only companionship came from his own active imagination.

An Italian girl would never leave her friend alone. Historyplex explores the country's most interesting customs and traditions. Cut, the first version is minutes in length. Abbot: The husband, or preferred man of an Abbess. Happy reading! Back to top.

We offer you for free download top of Courting birds clipart pictures. The full force of the fed, state and local law enforcement fell upon the Russians. Let's start at the beginning. Tempt Me. They look a lot like their cousins, but have long, floppy ears and tend to be stockier than horses or zebras.

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But Briana O'Connell's explosive encounter with wealthy Sicilian Gianni Firelli was just for the moment, not a lifetime—wasn't it? In BC the tarantella went underground, reappearing under the guise of emergency therapy for bite victims. A Sicilian courtship:Fast and furious—the sex was fantastic. The most well-known Sicilian folk dance is the tarantella, which can be either a courtship tarantella that is stately and elegant or the so-called curative tarantella.

About the experience "Pizzica and tammorra" The rhythmic, repeated movements of the dance induce a state of abandonment of the mind, and when the pace becomes insistent, then you succumb to a trance that leads to ecstasy. An American girl can take time away from her friend to talk to you on a night out. Other sports such as rugby and volleyball are also enjoyed. True there are some,but I have yet to find a book solely based on Anastasia even.

This guide is mainly for L'Aigle but can be used for most mods in Warband. He was one of the five Fireside Poets. I immigrated here 10 years ago, and I must say that I totally agree with you. And if that wasn't enough, it seems a certain Sicilian we know sent word that if his nephew or his nephew's wife were ever harmed, all bets were off. The process outlined below is for milking full-length Italian movies for their language lessons. The English believe a spider found in a wedding dress means good luck. You need to conquer an Italian woman, so be prepared to put the hours in and dedicate yourself to some serious romance Frank Sinatra was born in Hoboken, New Jersey, to Italian immigrants Natalina Della Garaventa , from Northern Italy, and Saverio Antonino Martino Sinatra, a Sicilian boxer, fireman, and bar owner.

The Sicilian Marriage - O'Connells 6 book. Guest Dec My barber grew up in Sicily; I think he will enjoy seeing these. Steve T. In order to curb men's habitual urges, and in response to Malthusian predictions that population increase would inevitably outstrip food resources, early Victorian social moralists proposed and to some extent imposed a socio-medical discourse based on masculine self-control in support of the bourgeois ideal of domestic life.

Perfect for acing essays, tests, and quizzes, as well as for writing lesson plans. Then he requests a meeting with her, where the man and the whole family would be present as well. The play is indeed a good winter's tale. Contemporary critics called her the mighty enchantress and the Shakespeare of romance-writers. The way cinema tackles difficult questions about marriage is a moving target.

She learnt to read at the age of 3, and haven't stopped since then. Behold How Brightly Breaks the Morning. The courtly dance with prescribed steps is for two partners, mimicking a courtship and eventual union. In spite of the actual participation of the woman in the singing, she is not playing her feminine role and her couplets are those that would usually be by a man. Lynne first met her husband when she was Second Edition. The stately courtship tarantella danced by a couple or couples, short in duration, is graceful and elegant and features characteristic music.

Swedish traditions are firmly rooted in history, yet constantly changing.

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Family is among of the first things that come to mind when many Italians and foreigners think of what it means to be Italian. But Briana O'Connell's explosive encounter with wealthy Sicilian Gianni Firelli was just for the moment, not a lifetime -- wasn't it? Apollonia is a young Sicilian woman who meets Michael Corleone during his exile in Sicily.

Tarantella, an ancient Sicilian dance ritual. Settings Here are the poems that created an American mythology: Evangeline in the forest primeval, Hiawatha by the shores of Gitche Gumee, the midnight ride of Paul Revere, the wreck of the Hesperus, the village blacksmith under the spreading chestnut tree, the strange courtship of Miles Standish, the maiden Priscilla and the hesitant John Alden; verses The Ceremony.

Read about this Eastern Kentucky mamaw and papaw's courtship on "Chocolate Gravy Biscuit Pudding" from Appalroot Farm: A blog inspiring those with Appalachian roots to celebrate their heritage. She might even ditch her friend for half the night, depending how interested in you she is. The basic question was this: what is my opinion on courtship, on dating, on how a young Catholic man should go about wooing a woman and about acceptable courting practices. Lynne Graham is a fantastic author! Also, below is the complete list of her books, followed by links you may find interesting.

As a child, Julia studies art, history, literature, and the rules of nobility and courtship under the guidance of her mother, Maria de Vellorno. The Sicilian historian Diadorous, writing about the period circa BC, also described a mud building with a reed thatched roof that was used to house domesticated pigeons, further confirming that organised domestication had been established in this period. May 23, And A Sicilian Courtship; After describing her in detail, Vitelli angrily says he does not know her and leaves.

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The content in this video is for entertainment purposes only and not for profit of any kind. The film is a comedic take on the premise established in the television play Marty and the film Marty. Tying a ribbon across the doorway of the church lets passersby's know that your wedding is taking place.

The Celebrated Barcarolle, in the Opera of Masaniello. Seventeen-year-old Sicilian Franca Viola was abducted and raped in , with. The Sicilian marriage: Formal and forever -- G The Winter's Tale has all of those ingredients: mythological gods, the courtship of a prince and his beloved, an imprisoned woman innocent of wrongdoing, a man chased by a bear and a ship chasing another ship, and plenty of sorrow and joy. Behaving like a Sicilian Ghost Story TV-MA 1h 58m Italian Movies When officials are slow to investigate a mysterious disappearance, a teen girl searches the dark woods on the outskirts of town for the boy she loves.

Jun 6, Widower and sons attracted to new housekeeper in 's Sicily. Best Lesbian Site It is always possible to find potential dates looking through an ethnic group or with a country profile. Looking for sympathy in all the wrong places? Now, try the right place. You need a variety of Bell towers explode; the living rooms and privacy of more than two Sicilian grandmothers are violated. Others are new imports that Swedes have embraced with open arms. A Sicilian courtship:Fast and furious--th A Sicilian courtship: Fast and furious— the sex was fantastic.

Italian boys and girls are good-looking as well as romantic, and people from other countries want to date Italians for flirting or considering a long-term relationship.

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Feasts are a big part of most Sicilian traditions and holidays, with good reason. Speaking of brides and courtship the handkerchief served as a surreptitious go-between to send explicit messages to the gimlet eyed observer. Download for offline reading, highlight, bookmark or take notes while you read The Sheikh's Convenient Bride. Sicilian Pastorale by Nino Rota. Relationships in Italy versus America. Italy is a country with the most delicious food and wine, lush greens festooned with vineyards, enthusiastic gondoliers on the canals of Venice, big families gathering for lavish meals, and a country with the world's most spectacular monuments.

Facebook gives people the power to share and makes the In the late summer of , Dan was preparing for disappointment. This kind of relationship has limited involvement, at least at first, and involves many religious practices. Morgenstern's classic tale of true love and high adventure. He imposed high taxes and maintained a severe, authoritarian rule, which made him and his officials and troops very unpopular. True Italian was spoken to other sicilians at first to show a degree of schooling and etiquette. Geographic range. Take Me. For a more modern example of courtship, watch the way that Michael Corleone woos his Sicilian bride-to-be in The Godfather.

If you tuck a piece of fern or of southernwood in the toe of your shoe, you will marry the first boy you meet Emrich, D. Male calls during courtship. Pride and Prejudice, by Jane Austen The touchstone novel about courtship and marriage. Noticing Camillo, Leontes asks him for his version of what has happened. Click play on the player at the bottom to listen to this podcast or find it on Apple Podcasts.

In English tradition, Wednesday is considered the "best day" to marry, although Monday is for wealth Henry Wadsworth Longfellow February 27, — March 24, was an American teacher and poet. I can say with certainty this has been my favorite chess tournament yet. The Sicilian Defence takes readers through the nature and history of crime, justice and punishment in Australia, written in Chopper's own unique style.

John Clearly, the Sicilian king is convinced that his wife is unfaithful — as are most wives — in his estimation. All About Italian Culture, Customs, and Traditions Italy is very well-known for its beautiful monuments, rich food culture, and lavish lifestyle. In areas of Italy, where the Americans stayed during the Second World War, there is a strong, although small, following of the sport of baseball. Growing up on the gritty streets of Hoboken made Sinatra determined to work hard to get ahead. Donkeys, also called burros and asses, are found throughout the world. History, traditions and little- known facts.

The whole city turns out en masse, tens of thousands come from afar to express their gratitude or to pray for intercession and many others just come for the incredible atmosphere, the fireworks and the food! Slowly but surely, so long as they pass muster, suitors should be drawn closer and closer to their love and to marriage.

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  7. Apollonia Vitelli was born in the hills around Corleone, Sicily. What is the Elvis Theme song? A Madame. Buttercup and Westley are The Princess Bride. She was the third child, having two older brothers.

    Love Inspired Author Roundtable

    Therefore, if we are going to look at the eras that the terms dating and courtship came out of, I think dating had a much more wholesome and moral bent to it, since Victorian manners on a whole were much more moral and reserved than late Renaissance French morality. Penny Gay sees Benedick and Beatrice as the witty stars of a Shakespearean rom-com. The Dark Side? Every place Sicily's bizarre courtship rituals still exist, kind of. The courtship and mating behavior of B. To become a full member of the Mafia or Cosa Nostra both the original Sicilian Mafia or the Italian-American offshoot often known as the "American Mafia" — to become a "man of honor" — an aspiring member has to pass an initiation ritual.

    I always know it's going to be a happy ending but how they're going to get their I rarely know and that's what the walking does, it sorts the bits out in my head and then I come home and type it. I used to write into, onto paper with short hand but now I type, usually goes straight onto the computer which saves some time.

    But the stories, it's sometimes they're just bubbling in your head and you just have to get them, get it onto paper or onto a computer screen really. Melinda: That leads me, and I'm sure we all want to know the answer to this, this is a lady who's been writing since and we'll take you through that journey shortly, how long each day do you spend working?

    Melinda Hammond: I have actually, I've tried to be a bit scientific and time this occasionally. I don't think I do more than four hours actual writing because if you turn the timer off every time you get up to do something or you get interrupted or you go onto the internet and check Facebook or Twitter, you'd be surprised how much of a day you can lose. I tend to try and keep office hours, so I get up and start working either 8 or 9 o'clock and finish, sometimes I can go on until 5 or 6 but very often there's time taken out for research, for reading, for checking facts and figures and things.

    Melinda: Melinda let us in on a little secret, her husband actually works away some of the time, so she has an advantage over, I guess, some of us in that she doesn't have to worry about him coming home, but having said that I'm guessing when he is home he make take up more of your time then maybe he would otherwise be expected, perhaps. Melinda Hammond: I think we try to make the most of the time we're together. So I think from that point of view it works very well.

    I think for any writer you have to shut yourself away, don't you? You have to be a bit organized, so if he was home more often it would, I would have to just close the door on the office and say now is my writing time.

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    Melinda: Yup and I think that's something that we all need to remember, in order to succeed we need to dedicate time, and not just a little bit of time, like Melinda, it's a real job. I think there's a book by Steven Pressfield called Turning Pro, if we're serious about the writing game then we have to give it priority and I think there's a lot of stuff floating around the internet at the moment that makes me cross that says you can write a book in 30 days, you can do this wonderful thing in two weeks, writing kids is easy, and I'm going from where I'm sitting I think it's really hard work and you really have to dedicate your time and your mind to it.

    Do you find when you're doing your research and you're doing writing, that you don't churn things out and send them off quickly, that it actually takes, I guess a fermentation period where you work really hard at it, when you're waking, when you're sleeping, and when you're out walking.

    Melinda Hammond: Yes, definitely. You can't, I don't think you can just dash off a book, you might have the story in your head, but when you get it onto the paper the grammar, the punctuation, the actual story itself has to be polish so that the reader understands what you are trying to say because sometimes the words that are in your head aren't the words that get down onto the page and you have to, you have to hone that to make it the best possible story that you can and sometimes that can take several drafts and if you can put it away, it's always a great idea, it's something that I tell new writers all the time.

    If you've got time to put the book away for a few weeks and then come back to it, you can look at it with fresh eyes then and you can see the flaws in the story much better and also the typos, the actual practical physical process of producing a good piece of literature, which is quite important even though I write very light romance, it's still important that the writing is good because if there's problems, for me anyway, if the writing isn't good it pulls me out of the story very much so. Melinda: There's so much focus on, I guess indie publishing nowadays, but you started in the 80's, you've been writing now for 35 years, 36 years, it's scary isn't it?

    Melinda Hammond: I think I was writing, I've been writing since I was a teenager, but I was published first in the 80's. So I think a writer always, I've always written. I think it was one of those things at school I would always write. I'd make up stories before that, I remember sitting in the playground with my friends making up stories for them. So I'm a storyteller rather than a literary writer I am a story teller. But you have to get that over so you have to, you have to know your craft of writing and language, which is fairly important, I think for communicating, communication.

    So yeah, it's and when I started you had to publish, you had to find a publisher if you wanted to get out there and I was very lucky that I found Robert Hale, first of all, who published my Georgian Regency novels and since then I've published with other publishers and moved on to Harlequin Mills and Boon but now for my Regencies I'm tending to go towards the indie and I'm republishing my back list, the books that were published by Robert Hale, now I'm putting those out myself Winter in Harrington's is one of those that was published originally by Robert Hale, but being historicals they don't date the same as contemporary books.

    So, and there is still a market for the Regency and Georgian novels which is great and all sort of Georgian romance and Regency romances from the very hot to what they call the sweet traditional Regencies, which tend to be my Melinda Hammond's they tend to be more sweeter, sweet romances, clean romances, there's several titles for them. Melinda: I think the one I was reading last night, and even listening to you I have so many questions, so if I jump around a bit I have to apologize.

    Melinda Hammond: You're welcome to do it again, we'll do it more often. Bannerman and Miss Shore. Now fill in love with of course with Rafe as one must immediately, it was very clear from the outside that your baddies were baddies and your goodies were goodies. Talk to me about the research process that goes into these novels.

    Melinda Hammond: Research, I've been doing research for decades of the Georgian Regency period in England, so that is where I'm most comfortable, but every time I do a novel I have to read, I have to find more, there's always a few details that I need to check up on or read more about most of, lot of it comes from historical novels that, or sorry, historians, historical books, history books, non-fiction books that I've read over the years, little gems that you pick up that you don't think are going to have anything interesting in and then you find a little point that you enjoy.

    With the internet there's an awful lot more information now, a lot of newspapers have been digitized, the old ones, there's one called the Georgian Newspaper Project, which is Bath newspapers from the 18th century have been all recorded now and they're now all online for anybody to go in and have a look.

    All the information is there and you can pick up lovely little snippets in there of information and then you just follow that up with research, the old way of going to libraries or getting books and maybe stuff on the internet as well, looking that up. But it's, I love the research part. The problem comes stopping the research and starting the book. But it's very much a background for my characters.

    I like the history to be correct, but I don't want it to take over, I'm not writing historical novels about real people, so the history is the background, it's the tapestry and I weave my story and my characters onto that tapestry. Melinda: Yeah, and that came through very clearly in Winter Inheritance.

    I was walking down the street with the characters, I was seeing, I guess the shops, although I don't think you called them shops in those days, the mills and all that kind of thing. But it was very much a background and I'm guessing that that's a skill that you've honed over all those years of writing, you do it effortlessly. When it comes to your research, just before we let that go, your website says you have always had a love of history, you've spoken about how you do it, what's your advice to someone setting out, how to control that research process and not let it take over your writing?

    Melinda Hammond: That's a very difficult one, you have to avoid information dump. It's very easy, especially for new writers to do that, you get so involved in your subject that you suddenly find yourself, you could write pages and pages on little point. But if it doesn't move the story forward, probably it can go, you have to explain, the thing about history is your reader may not be familiar with some of the terms that you use so you have to make it plain what you're talking about but you don't have to go into reams of detail.

    You tend, what you're writing is a story and the story has to move on without boring your reader. That's the main thing. If they're interested in the history they'll do what I did when I was young and I read historical novels, they will then go out and read the history of it and if your novel's good enough it'll stand up and they will say yes, that's right, that's the feeling I got from it. But we're also creating a world that doesn't exist, so it's, so there's a fine line between the fantasy and the history.

    I don't really think readers of my novel would want their heroines to have no teeth by the time they're 40 or to smell the smells that were probably around in age that didn't wash that much or even when you go back to the Regency times, the Georgian times and they had their hair put up with pigs lard and held into place with big false hair pieces and things and then they would sleep with it up like that and would have to have combs, special sticks to get right into the head to scratch where the lice where itching, that's not romance, that's not romance.

    So it's nice to know, but it's not really the story that I'm telling. Melinda: And remember for all of you out there listening, choose your details wisely. Melinda Hammond: That's a good one, I shall remember that one, yes. Melinda: I want to pick up on, and again jumping around you mentioned the word indie publishing which is very dear to my heart and the reason I've started this podcast is because I've been an English teacher for forever and it's very important to me that everybody has the opportunity to get their stories out but in a way that is professional.

    Now you've come from a traditional background and I'm assuming you will continue to publish traditionally, but you're also making a move into that indie publishing. Can you take us back and tell us what you made make that decision and where you think it's going to take you? With indie publishing you can do, you can expand slightly maybe have more characters, things that aren't so quite commercially viable for a mainstream publisher.

    Publishers these days, there are so many people writing, it's even for a established writers, it's difficult if you want to break out and do something slightly different. I've done a couple of books that are contemporary and historical, a mix a duel time stories, not quite time slip but maybe ones with more of like a slightly paranormal ghostly element. Getting those published by a mainstream if you have a formula that works as a writer and your name is known for one thing, sometimes publishers aren't very keen on taking a risk, whereas with indie publishing you can because you're the one taking the risk, you're not risking all the investment that a publisher, a traditional publisher will put in.

    So it's an exciting time but there's a lot of people out there in the market, that's one of the problems, it's the beauty of it and also the problem that there are so many people now publishing their own stories and it's lovely that they're all out there, so yeah it's an exciting time for writers I think, and for the publishing industry. Melinda: I've heard some horror stories and mainly through reading blog posts and listening to podcasts and listening to writers talk about how traditional publishers aren't releasing their backlists and not allowing writers to move forward in their own way.

    Then we've got the whole story of hybrids, of people traditionally publishing and indie publishing different titles. Is it more power to the author nowadays that we have or you have more negotiating power than you used to have? Melinda Hammond: I'd personally, I wouldn't think there's more negotiating power, the publishers, they're still, the market is changing I feel and they are still feeling their way forward in a world that suddenly saw the e-book and the explosion of e-books coming onto the market.

    One of the things that, the advantages it has if you're traditionally published, or it should have is quality. If you have a traditional publisher, if a reader buys a book from a traditional publisher they should be able to feel fairly confident that it's gone through an editing process, so they should be fairly sure that the quality of writing that they're getting is reasonable.

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    With indie publishing anyone can put up a book these days, can publish their own book if they can use a computer or if they have a friend who can use a computer, they can publish their own book and the quality can vary. So, readers, I know quite a few readers now who won't buy authors unless they're recommended to them because they've tried so many in the past and been disappointed and let's face it, life is too short to read a bad book.

    If you pick up a book, or even an e-book on kindle or whatever you want to be transported to another world and the writing has to be reasonably good for that and maybe it's old school, but I think the language and the grammar has to be reasonably good as well. It has to carry the reader away into that new world, so. Melinda: I think that's something that we're trying to address as indie authors and traditional authors is making sure that standard is maintained, I know with me I pay an editor, I pay a cover designer, I pay, pay, pay to make sure that my books are the very best that they can be.

    I listen to professional indie authors out there and they actively encourage everyone to make sure that their content is of the highest standard because it has been a problem in the past and although indie publishing offers us all the freedom in the world, without a good book none of the rest of it matters. Melinda Hammond: That's true, it's the writing is the important, for me, is very important and most of the successful authors that I know who have moved from traditional into indie, into self-publishing or indie publishing will always say even those who have been published for decades will say it has to be edited, you need to, it's worth paying a professional editor to edit your work because it's very difficult for an author, you're so close to your work when you've written it, very difficult to actually see, see the faults as an editor will even if it's just the grammar and the syntax and everything you do need it to be edited to make the book as good as it can be.

    You're right. Melinda: I'm finding myself trying to keep a low profile as an English teacher because a lot of what I'm reading in the blogs and in the posts is that I would been a writer much soon but my English teacher turned me against it. Melinda Hammond: Really? Melinda: I'm going, yeah. Melinda Hammond: I didn't find that at all.

    Maybe it's some teachers are not as good as others, who knows?

    mail.mccurdycandler.com I found my English teacher, or the English teachers I had, gave us quite a good grounding in grammar and the history teacher gave me a love of history that made me want to read more about it and learn more about it and it just seemed natural to combine the two, but you need, I think you need the good grounding in English before you can write a good story.

    If you can't communicate you can't tell the story. Melinda: I'm finding, I don't what it's like in England, but here in Australia there is a push back to traditional grammar and it's actually taught explicitly through lesson after lesson after lesson you need to know your nouns and verbs and you need to know your conjunctions because it's been forgotten and it runs a very real risk with texting and all those kinds of things that those old fashioned skills don't matter but as writers, they're our tools of the trade and I'm groaning even as you and I are talking because I'm thinking I'm alienating some of my listeners even as I say this stuff, but if there's one thing that I can put out and you're saying as well, get your content right.

    Melinda Hammond: Yes, I totally agree. It's communication and the written word is a form of communication that needs to be right because you can, you need to get the story over and to paint that picture in the best way you can. I suppose if you're going to use, or if I'm going to use the painting analogy then there are different way, you have the impressionist and cubists and goodness knows what else, but I just think like you that the grammar and the basis of the writing is important. It tends to be, if the story's good enough you can get away with the odd thing and sometimes it's a writing style that people have but that doesn't mean the English should be bad.

    Maybe I'm old school on that, I don't know. I just think it is important. You're right, with texting and computers a lot of it can be lost but the English language or any language develops, it's always developed and we will take on the modern idioms of the social media and things and it will be incorporated.

    But it's the communication and occasionally friends of mine put up little sentences with no commas in and wherever you insert those commas can make things sound, it can totally alter the meaning of the sentence and you find that when you're reading sometimes. I read for, in England, the UK's Romantic Novelist Association and we have a new writer scheme where authors can submit their work and we read and we critic it and try and help them to produce a better book and to get published and some writers they're very good but you can see that with a little bit more honing they could be a lot better and sometime when you're reading it, and we do it ourselves as well, sometimes there are complete howlers in the writing.

    So, yeah, I am all for grammar and English and communication, get it right. Melinda: When you were talking there it seems that you're very involved in mentoring and giving back to new writers coming through behind you, that appears to be something that I've noticed is that writers are so very, very generous.

    Melinda Hammond: Yes, certainly amongst the romantic novelists that I know, I've been a member of the Romantic Novelist Association since, almost since I started I was published in the 80's and I've always found everyone is so generous with their time and their information, the sharing of knowledge, you would think that we would be very much competitors but everyone is very generous and helpful and we have the most amazing parties as well, which is, I suppose we have the advantage living in England that it's small and we can get there, in Australia you're probably a bit further away maybe, it's more difficult to meet up.

    But yes, I do find writers are very generous, very generous with their information and the telling, helping you to succeed. Melinda: I think with anyone new coming through and I'm actively reaching out to new writers to say it's okay to tell your story, we want you to tell your story and we want you to tell it in the best way you know how and everybody is out there, I guess, to help you succeed. Once upon a time, once you got a couple of rejections that was it, you wouldn't try any further, but there is the indie publishing route now but again it is so important that you surround yourself with a network that helps you be the best writer that you can be.

    I'm going to sneak something in here that I thought we'd get to much earlier, but I've now taken up, I'm aware that I've taken up nearly an hour of your time. I just wanted to ask you Melinda about branding.

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